Date Approved
6-30-2004
Embargo Period
4-25-2016
Document Type
Thesis
Degree Name
M.A. in Theatre
Department
Theatre & Dance
College
College of Performing Arts
Advisor
Hostetter, Elisabeth
Subject(s)
Kaufman, George S. (George Simon), 1889-1961--Criticism and interpretation
Disciplines
Theatre and Performance Studies
Abstract
Known for his comedic plays, George S. Kaufman became one of the most successful playwrights in American theatre history. Part of his success stems from his metatheatrical writing techniques, which he used by incorporating people from his life into his plays and by writing about the business he experienced first hand. To date, no sources link Kaufman and the metatheatrics of his work. Therefore, this thesis highlights these links and explores how far Kaufman took his metatheatrical viewpoints, why he chose to use this method, and what statements he made by using these techniques. In order to prove this thesis, three Kaufman plays are examined: The Man Who Came To Dinner (with Moss Hart), The Butter and Egg Man (solo), and The Royal Family (with Edna Ferber). Primary research includes analysis of theatrical reviews and extractions from biographies about Kaufman. The study provides an analysis of Kaufman's metatheatrical writing style based on the three plays listed above.
Recommended Citation
Jarrell, Nancy Alease, "A study of George S. Kaufman's metatheatrics" (2004). Theses and Dissertations. 1168.
https://rdw.rowan.edu/etd/1168