Keywords
Assessment, ontology, being, creative arts pedagogy, student agency
Abstract
Assessment design shapes not only what students learn, but who they become as learners. In the era of generative artificial intelligence (GenAI), where information is abundant and recall is easily outsourced, higher education assessment must move beyond memorization and toward authentic tasks that cultivate deeper learning and ontological growth. This conceptual, reflective paper argues that assessment should be grounded in students’ mode of being, rather than restricted to knowing, having, or doing. Drawing on Barnett’s ontology of higher education, Biesta’s subjectification, and Su’s epistemological distinctions, this paper positions assessment as a formative site where agency, ownership, identity, and self-understanding can be intentionally developed. This paper draws on a narrative literature review that synthesises research on assessment in the creative and performing arts, selected purposively for its attention to creativity and learner empowerment. The synthesis identifies four quality indicators through which assessment engages students’ being: (1) shifting from reproduction to creation via open tasks and multimodal outputs; (2) situating assessment in naturalistic, public-facing contexts that connect learning to authentic audiences and communities; (3) adopting holistic approaches that value process, reflexivity, and becoming self-assessors; and (4) foregrounding communication through dialogue, critique, consultation, and the cultivation of an ontological student voice. The paper concludes that “assessment for becoming” is essential for meaningful engagement and integrity in AI-shaped learning environments.
Recommended Citation
Elkhoury, Eliana
(2025)
"“The Being of Being Creative” in Assessment: Learning from the Creative and Performing Arts,"
Turning Toward Being: The Journal of Ontological Inquiry in Education: Vol. 3:
Iss.
2, Article 4.
Available at:
https://rdw.rowan.edu/joie/vol3/iss2/4




